
On May 1, 2025, Aims Review launched the 17th volume containing art made by students, faculty, and alumni in a print volume and on the Aims Review Website. During the launch artists presented their work through a multimedia video of Phillip Lara’s poem “11.10.24;” fiction readings of “Beyond the Rainwall” by Sundance Hollingsworth and “Coloratus Malum” by Eli Lundgreen; non-fiction readings of “Toe Tag” by Mariah Crawford, “Adventure” by Josephine Yockim, “Erosion: An Exploration of Loss, Grief, and Hope in Chronic Illness” by Melissa J. Troutman; poetry readings of “Burt Marshmallow” by Matthew Frink, “Life as Art” by Mikki Arrivas, “Light through the Cracks” by Chelsea Cramer, “Worn Yarn” by Brooke Capuano, “Uprooted” by Lee Clouston, “Haunted House Upkeep, or EAP’s Quite Night In” by AT Banks, “There Will Always Be Monsters” by Josephine Yockim, and “My Vanity” by Eli Lundgreen. Several visual artists also brought their work in to be displayed throughout the event: Indivisible by Pepper Feldman, Sailing Off Into the Sunset and An Ocean Away by Gracie Marquez, Moonrays by Istana Castillo, Harvesting Dreams at Dusk by Megan Blaser, With a Side of Syrup by Taylor Rehurek, Into the Storm by Mikki Arrivas, Year of the Dragon by Aidan Martin, Memento Mor: One Day Death Comes for Us All by Heather Jewell Charon, and The Great Wave of Death by Azul Gonzalez.


















